![]() ![]() LumaFusion 2.4.4 is available immediately as a free upgrade for existing customers and is available for new customers as a download from the Apple App Store for $29.99. This allows LumaFusion editors to create projects for HLG, PQ P3, and Rec.709 10-bit color spaces using compatible HDR media from a wide range of cameras, drones, and the iPhone 12. LumaFusion v2.4.4 also enables editors to access Dolby Vision HDR features found in the iPhone 12 series, including full HDR support with 10-bit processing and export from version 2.4. You can get a 10 discount using my FilmConvert affiliate. NOTE This LUT is free to download and use, but it won’t give you a useful result without purchasing the FilmConvert Nitrate plugin for your NLE. Achieve beautiful film emulation for iPhone video. When shooting Log V3, you can conform the footage to Rec.709 in LumaFusion with a single click, taking advantage of the latitude to produce cinematic results.įor LumaFusion users, all footage shot with FiLMIC Pro Log V3 is automatically saved as a LUT in the LumaFusion color and effects menu, where you can apply the LUT to grade the footage further. Download Richard Lackey’s FREE FiLMiC Pro LOGv3 LUT for use with FilmConvert Nitrate. Filmmakers and editors now have access to a 10-bit color grade with footage shot in FiLMIC Log V3. Please let me know if I'm overdoing something here, all I want is being able to grade the videos and have the playback match what will be displayed on streaming platforms.LumaTouch, the company behind LumaFX and LumaFusion, has updated the firmware of the latter to v2.4.4 to include the FiLMiC deLOG V3 LUT, expanding the color grading experience for creators. Then I believe with the following project settings, if not using a known camera, we also need to manually select the Input Color Space per Clip, what would be the input color space of a video shot on an Iphone 12 with Filmic Pro? This brand-new LUT bundle collects every LUT that we've ever created for use with the incredible FiLMiC Pro Camera app into one pack Included are 50 cinematic LUTs featuring every FiLMiC Pro Lut we've ever released, plus 11 brand new bonus LUTs Works best with FLAT or LOG footage captured with FiLMiC Pro (also works with footage captured with. So, that's my issue and that's the take away: don't use the flimic delog LUT on HDR footage. Made to be used with Filmic Pro’s Log V3+ Profile for ProRes recording in the app or in your editing/colouring software of choice. ![]() The One LUT - iPhone - Filmic Log V3+ cube file. PRO Mode: a mode designed for professional filmmakers. CLICK HERE FOR INFORMATION ON THE MAKING OF THE ONE LUT.AUTO Mode: a mode optimized for vloggers and YouTubers, you can use it single-handedly, with our cinematic looks and professional composition assistants.That to me, implies the profile is designed for iPhone too but I don't know that. Protake brings the filmmaking experience of professional cinema cameras to your mobile devices. I'm also using the DeLog v3 LUT in a node, but would like to make sure the project settings are not wrong in any way. As homeconcretedonkey wrote, the log v3 is designed for SDR (8/10 bit colour) iPhone footage, that's from Filmic Pro support. I'm working on a Mac and I would like the monitoring / playback to be representative of what I would get when uploaded to platforms such as WhatsApp & YouTube etc.ĭavinci Resolve 17 - Color Space Transforms project settings Communication Safety on Messages is shown on iPhone 15 Pro. I've got the following Log V3 shot done with Filmic Pro: I'm trying to properly use color management of Davinci Resolve 17.
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